A look into my DVD drawer proved what I didn’t dare saying out loud: I actually DO own an alarming amount of period dramas – too late to call it a silent passion: It’s crying out loud. Since my esteemed Master has kind of lost track with them, I decided to catalogue them on here and write a (very) short summary for each one. This way I can tell him to go and read about it on here, instead of asking me which of “those” movies I’m talking about.
In this first part I’ll describe the adaptions I have of Jane Austen’s novels – they are ordered according to my preference:
Persuasion – 1995 (starring Amanda Root, Ciarán Hinds, Susan Fleetwood, etc.)
On a superficial level, one might remember the finale scene for the use of clips from The Bounty. But that might be overviewed as unimportant.
This film is a true gem. A little production with a lot of heart. It’s the only version of this novel I know and it’s eleven years old, but the actors (especially AR and CH) inhabit the characters and I really couldn’t imagine my favorite JA and especially the most beautiful letter-scene in literature history better played on screen than by this Anne and this Wentworth. You pierce my soul. I am half agony, half hope… the first time I heard these words, I got almost hit by a car because I just stopped in the middle of a road, completely captured by my audio book – I am that daft – to see these lines brought so sensible on screen has me in tears every time. A true work of art.
*****(highly recommended)
Pride & Prejudice – 1995 (starring Jennifer Ehle, Colin Firth, David Bamber, etc.)
Probably the most popular period drama – ever! Best remembered is Mr Darcy’s jump in the pont, the most oily Mr Collins and that they first kissed after they got married.
I adore this version as it shows that trueness to the novel and entertainment are possible – even if it takes a good six hours to do so. The view content related changes shall be forgiven as they match in perfectly and show important aspects that can be argued as missing in the novel (Darcy’s transformation/softer side for instance). I think the chemistry between Elizabeth and Darcy was great… the discourse while dancing is priceless. The supporting cast were top notch too – Mrs Bennet’s voice is still ringing in my ears, Jane lovely as could be, Bingley was sensitive and kind-hearted, not a fool, Caroline as mean as she should – the whole production leaves you extremely satisfied – no matter whether you’ve read the book beforehand.
*****(highly recommended)
Sense and Sensibility – 1995 (starring Emma Thompson, Kate Winslet, Alan Rickman, etc.)
I read somewhere that Emma Thompson didn’t want to play her part and only serve as writer for the screenplay (for which she got an Academy Award and a Golden Globe – if you have the DVD, go and check out her speech there… it’s too hilarious!) but got nagged into it by the producers… and I’m eternally thankful that they succeded. She may be a tad old enough for the role, but nobody could play Elinor’s sense with more sensibility than her. *bows deeply* Another bow is for Kate Winslet who pretended to be 18 in order to get the role – her recital of Shakespeare’s sonnet CXVI brought tears to my eyes… you were right, Marianne: It’s tempest, not storm!
****(enjoyable – indeed)
Emma – 1996(starring Kate Beckinsale, Mark Strong, Raymond Coulthard, etc.)
Emma – 1996(starring Gwyneth Paltrow, Jeremy Northam, Ewan McGregor, etc.)
and
1996 was the year of the Emmas. The first version (dark-haired Emma) was truer to the spirit book and shorter and to be honest, I liked Mark Strong better. The blonde Emma on the other side was pretty much Hollywood-ized in babypink and babyblue and a bit too one-dimensional characters (the whole Harriet business spings to mind). But then again, I loved/hated Mrs Elton in this so much that the she alone made it worthwhile.
****(enjoyable – for both)
Pride and Prejudice – 1940 (starring Greer Garson, Laurence Olivier, Mary Boland, etc.)
This is the oldest version I have seen and I love it. It’s nowhere even near to historically accurate and I’m sure I will get called ambivalent for judging exactly this as a fault in other costume dramas but I can’t help it: I forgive this version anything. It’s so charming. Other versions might have had better Lizzies, one might think Mrs Bennet over the top and Marie too simper but I love Bruce Lester as Bingley – so very endearing! The scence with him behind that folding-screen is my fav in this version that besides the ludicrous Victorian setting and the major storyline changes (e.g. the Catherine de Burgh character and the rushed ending) showes some surprisingly close characterisations and is basically just a lot of fun to watch… and yes, I’m a sucker for b/w movies.
***(*)(the last in brackets because of the inaccuracy)
Mansfield Park – 1999 (starring Francis O’Connor, Jonny Lee Miller, Alessandro Nivola, etc.)
One of the adaptions that missed to draw me in. Truth to be told, I couldn’t care less whether Edmond and Fanny found each other or not. The only time I was touched was my Tom’s hideous sketches – I virtually gasped. Other than that, I found the film as such mediocre (which is very much what I think of FOC) and lacking Austen’s sparkle.
***(too much time at hand)
Northanger Abbey – 1986 (starring Katharine Schlesinger, Peter Firth, Cassie Stuart, etc.)
Ok, my judgement of this adaption can’t be called unprejudiced as I don’t really like the novel as such but still (and I know people that will come hollering after me), I don’t like it. The main reason is the KS – I cringed everytime she appeared on screen: Her eyes fill half the screen and that numptie expression in those huge hollow holes. Why would PF care?
**(rather take a nap)
Pride & Prejudice – 2005 (starring Keira Knightley, Matthew Macfadyen, Donald Sutherland, etc.)
The reason why this adaption is on the very bottom of this post has nothing to do with it being the newest: I don’t think that there was ever another adaption (not even Mansfield Park – that was just plain boring) that disappointed me more… so now. I don’t own a copy of it. I went to see it the night it came out – went there with high hopes that KK after Bend it like Beckham would surprise me, that Brenda Blethyn would rock my world as she did in Secrets & Lies, that Judy Dench would be brilliant as she was in Mrs Brown, that all the unknown names would turn out as fresh wind and that MM (who I didn’t know then) would simply blow me away… well, my hopes were clearly way too high but that they tried to turn JA into that must have made the poor woman spin in her box. Ok, she is said to have agreed that her only regret about P&P was that it was too light but she surely didn’t have boars walking through the kitchen in mind! It wasn’t just the conditions (like the Bennets as farmers, all the dirty clothes and untidy hair, young men in sick lady’s room, the entering of rooms without being presented by a servant, the middle-of-the-night appearance of Lady Catherine, … I could go on and on) but the sheer misapprehension of those beloved characters that gave me the creeps. Seriously: Lydia and Kitty are silly, Lizzie is NOT. All that giggling (don’t get me started on her huge teeth) and her yelling at Mr Collins – where’s the intelligent, witty young heroine so many readers have loved for generations? And as for Mr Darcy: He’s not supposed to be a weak twit! Some people think he showed a softer, more sensible side of him… Excuse me. But that didn’t appeal to me… especially not in combination with all that cheesy 3rd class soap opera dialog. Why, oh why did they change the text at all? I’d rather stop her before I get sued for libel *insert mean laughter here*
*(run for cover)